Film Noir

Film Noir

Editorial Reviews
Book Description
This excellent overview of Film Noir discusses the celebrated, but also contested, body of films whose history is more extensive and diverse than American black and white crime thrillers of the forties. This is an examination of a celebrated, but also contested, body of films whose history is more extensive and diverse than American black and white crime thrillers of the forties. A background chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Andrew Spicer discusses 'classic' film noir (1940-59) and investigates 'neo-noir' and British film noir. Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the book. Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to fans and enthusiasts of the film noir genre. Andrew Spicer is at the University of West England

From the Back Cover

 

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties.

An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society.

Five chapters are devoted to ‘classic' film noir (1940-59):

chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes

chapters on character types and star performances elucidate noir's complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang

Three chapters investigate ‘neo-noir' and British film noir:

chapters trace the complex evolution of ‘neo-noir' in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento

the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges' Croupier

Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

Dr Andrew Spicer is Programme Leader for the MA in Film Studies and European Cinema in the Faculty of Art, Media and Design at the University of the West of England.

Series Editor - Alexander Ballinger, McLean Film & Media Ltd.

Film Noir

Film Noir,Andrew Spicer,Longman,0582437121,Cinema/Film: Book,Film & Video - General,Film & Video - History & Criticism,Film noir,Great Britain,History and criticism,Performing Arts,Pop Arts / Pop Culture,United States,Performing Arts / General

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