Science Fiction Film (Genres in American Cinema)
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Book Description
This study examines one of the most enduring and popular genres of Hollywood cinema, suggesting how the science fiction film reflects attitudes toward science, technology, and reason as they have evolved in American culture over the course of the 20th century. Telotte provides a survey of criticism and an overview of the history of the genre, from its earliest literary manifestations to the present. He offers in-depth readings of three key films;Robocop, Close Encounters of the Third Kind, and THX 1138, each of which typifies a particular form of science fiction fantasy.
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Science Fiction Film examines one of the most enduring and popular genres of Hollywood cinema, suggesting how the science fiction film reflects attitudes toward science, technology, and reason as they have evolved in American culture over the course of the twentieth century. J. P. Telotte provides a survey of science fiction film criticism, emphasizing humanist, psychological, ideological, feminist, and postmodern critiques. He also sketches a history of the genre, from its earliest literary manifestations to the present, while touching on and comparing it to pulp fiction, early television science fiction, and Japanese animÈ. Telotte offers in-depth readings of three key films: Robocop, Close Encounters of the Third Kind, and THX 1138, each of which typifies a particular form of science fiction fantasy. Challenging the boundaries usually seen between high and low culture, literature and film, Science Fiction Film reasserts the central role of fantasy in popular films, even those concerned with reason, science, and technology.
--This text refers to the
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Science Fiction Film (Genres in American Cinema),J. P. Telotte,Barry Keith Grant,Cambridge University Press,0521596475,Film & Video - History & Criticism,History and criticism,Media Studies,Performing Arts/Dance,Pop Arts / Pop Culture,Science fiction films,Social Science,Sociology,Films, cinema,Performing Arts / Mass Media,Science fiction films--History and criticism
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