Transnational Cinema: The Film Reader (In Focus: Routledge Film Readers)
Editorial Reviews
Book Description
Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema.
Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community, and that reflect the impact of advanced capitalism and new media technologies in an increasingly interconnected world-system. The essays demonstrate that, in an era no longer marked by the sharp divisions between communist and capitalist nation states, or even "first" and "third" worlds, Europe and the U.S. must be factored into the increasingly hybrid notion of "world cinema."
The reader is divided into four sections:
· From National to Transnational Cinema
· Global Cinema in the Digital Age
· Motion Pictures: Film, Migration and Diaspora
· Tourists and Terrorists
When read in juxtaposition, these essays make clear that the significance of crossing borders varies according to the ethnic and/or gendered identity of the traveller, suggesting that the crossing of certain lines generates fundamental shifts in both the aesthetics and the ethics of cinema as a representational art.
About the Author
Elizabeth Ezra teaches in the School of Modern Languages and Cultures at the University of Stirling. She is the author of The Colonial Unconscious (2000) and George Melies: The Birth of the Auteur (2000).
Terry Rowden teaches in the Department of English at the College of Wooster. His essays and reviews have appeared in Southern Review, MELUS and College Literature.
Transnational Cinema: The Film Reader (In Focus: Routledge Film Readers),Elizabeth Ezra,Terry Rowden,Routledge,0415371589,Cinema/Film: Book,Ethnic Studies - General,Film & Video - General,Film & Video - History & Criticism,Motion pictures,Performing Arts,Pop Arts / Pop Culture
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