Listening in Paris: A Cultural History
Editorial Reviews
New York Times
"In a fascinating new book . . . Johnson traces the evolution of audience silence in the concert halls and opera houses of Paris."
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Book Description
Beginning with the simple question, "Why did audiences grow silent?" Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today. Drawing from a wide range of sourcesnovels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods.
--This text refers to an out of print or unavailable edition of this title.
Listening in Paris: A Cultural History
Listening in Paris: A Cultural History,James H. Johnson,University of California Press,0520206487,General,History,History & Criticism - General,History - General History,History: World,World - General
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